Questions and
Answers Version 10
October 4th, 1998
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Quick links for Version 10: Answers
| Questions | Responses | Hint | Useful Links
Answers #10 from me:
From C. Cook:
From D. Frye, in Oxford, NY:
From M. Roewe in Guthrie, Oklahoma:
From John C.:
From J. Muse, in San Francisco, California:
From D. Unitt, in Orillia Ontario:
From K. Koller, in Colorado:
From R. Sablon, in Florida :
From Lynne:
From M.Neer:
From MonColonel:
From Brice:
From L. Garbarini:
From Lu:
From S. Quittem:
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Questions #10 for you:
If you have information, or can answer a question for these etchers, email me, and
I will post it in Responses next version.
From J. Guinn, in Nowhere, USA, AKA Nebraska:
From Lynne:
From Pookatoo, in Los Angeles California:
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Responses #10:
From Brian Mirsch (PhotoBrasives):
From C. Haney, in Clearwater Florida.:
From M. Roewe in Guthrie, Oklahoma:
From J. Muse, in San Francisco, California:
From I. Comstock, in Woodinville, Washington:
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Hint #10:
When I use transparent inks, I just paint them onto the rear surface of the mirror after the
etching, and the resist has been removed (on glass, I do the same, and any that goes onto the clear
glass, I just carefully scrape off with a razor blade). The inks are formulated for glass, the reason
that I remove the resist, is that there is no possibility of the ink being lifted before it is securely
fastened to the glass/mirror, when the resist is removed (also, when I am finished painting on the
ink, the article is done - I don't have to go back and remove the resist at a later time).
On mirror, I always leave a small strip of mirroring between the colours (sort of like a line
drawing) to separate each colour.
If you have a hint that you would like to pass on to others, you know what to do....click here.
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Useful Links #10:
If you know of a link to a website or suppliers dealing with some aspect of glass etching, email me, and I will post it here next update.
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